BIOGRAPHY

Adam Pendleton’s multidisciplinary practice uses text, gesture, and appropriated imagery to reconsid...
Adam Pendleton’s multidisciplinary practice uses text, gesture, and appropriated imagery to reconsider social resistance, avant-garde art, and underrepresented historical movements. Across silkscreen paintings, photographic collage, video, performance, and publishing, Pendleton filters ideas and aesthetics from the Black Arts Movement, Minimalism, Conceptualism, and Dada through a graphic, monochromatic palette. The resulting pieces explore Blackness and race from myriad perspectives. Pendleton describes his work as “Black Dada,” a phrase originally coined by the poet Amiri Baraka. He has exhibited in New York, London, Paris, Berlin, Seoul, and Johannesburg. His work has sold for six figures at auction and belongs in the collections of the Guggenheim Museum, the Hirshhorn Museum and Sculpture Garden, the Long Museum, the Los Angeles County Museum of Art, the Museum of Modern Art, and the Tate.